Christina Lynch: The TNB Self-Interview

by Marylee MacDonald in For Readers

Your novel The Italian Party is about someone trying to manipulate an election using some very sneaky methods. Are you about to be subpoenaed? I don’t think so, but it’s a pretty weird coincidence. When I started writing the novel in the summer of 2013, I came across a […] Click here to view full […]

Excerpt of The Italian Party, by Christina Lynch

by Marylee MacDonald in For Readers

2. Michael and Scottie stood out from the moment they strolled down the gangplank of the sleek ocean liner that carried them and their possessions to Italy. They seemed to have stepped right out of an advertisement for Betty Crocker, Wonder Bread or capitalism itself. He was twenty-four, handsome, […] Click here to view full […]

Where Do Story Ideas Come From?

by Marylee MacDonald in For Readers

“So where do you get your story ideas?” My old friend’s question stumped me. Recently she had begun writing short stories based closely on her own experiences, and she’d just finished reading my story collection, This Far Isn’t Far Enough. An army grunt in occupied German after World War II; a failed actor caring for […]

Are You Puzzled By How Goodreads Wants You to Post Reviews?

by Marylee MacDonald in For Readers, For Writers Who Need Readers

Most people can figure out how to post reviews on Amazon, but if you’re an author, you also want your readers to post reviews to Goodreads. When I’ve asked folks to do that, I’ve been surprised by the number who said they couldn’t figure out where to click or how to save. Here’s a link […]

Sentences and the Senses: Where Rick Bass Discovers Stories

by Marylee MacDonald in For Readers, For Writers Doing Revisions

Sentences are where stories begin, according to Rick Bass, winner of the prestigious Story Prize. “What I’m hungering for as a reader is the visuals, the reminders that the world is a beautiful place, and I’m just trying to bring, you know, almost a painterly illumination on sentences, on objects, on subjects. And so there […]

Mary A. Clark Interview | An Intuitive Author

by Marylee MacDonald in For Readers

Many people know from a very young age that they want to write books, and that’s the case with author Mary A. Clark, poet, novelist, and the author of a book of creative nonfiction. Mary’s journey as a writer is like many of our journeys, which is to say full of life experiences that add […]

Anton Chekhov | How Many Characters Should A Story Have?

by Marylee MacDonald in Characters, For Readers

Anton Chekhov’s vivid characters live in our imaginations to this day. One of my favorites is “Lady With the Pet Dog,” also translated as “Lady With the Little Dog.” If you’ve never read his stories, or haven’t read them in a long time, here’s a site with audio recordings of them. Sit with the characters, as […]

Literary Prize Long List | Man Booker Finalists

by Marylee MacDonald in For Readers

If there were one literary prize I would be honored to win, it’s the Man Booker Prize. What’s wonderful about the long-list is that it showcases the diversity and vitality of literary fiction. I was happy to discover some names I recognize among the many I don’t. Britain’s The Guardian published this list of finalists to […]

First Person Narrators | How Far Can You Bend The Truth?

by Marylee MacDonald in For Beginning Writers, For Readers

Are all first person narrators liars? I would submit that they are. As Mark Twain’s first-person narrator, Huck Finn, wrote, “ I never seen anybody but lied one time or another, without it was Aunt Polly, or the widow, or maybe Mary.” First person stories and memoirs have one thing in common. Both use an […]

Direct Observer | A Camera’s-Eye Point of View

by Marylee MacDonald in For Beginning Writers, For Readers

 The Direct Observer point of view (also called the Third Person Objective) forces a writer to “show don’t tell.” Indeed, you can’t tell. You must only show, and if you want to portray characters with inner turmoil, you will have to figure out how to convey those feelings through dialogue. Direct Observer is a tough […]