Half-scenes are a great way to cover a lot of ground in a short time. Consider using half-scenes when you want to get to your next big scene, when you need to trim the story’s word count, or when you’re taking a walk down Memory Lane. In my post explaining the difference between scene and […]
Are all first person narrators liars? I would submit that they are. As Mark Twain’s first-person narrator, Huck Finn, wrote, “ I never seen anybody but lied one time or another, without it was Aunt Polly, or the widow, or maybe Mary.” First person stories and memoirs have one thing in common. Both use an […]
The Direct Observer point of view (also called the Third Person Objective) forces a writer to “show don’t tell.” Indeed, you can’t tell. You must only show, and if you want to portray characters with inner turmoil, you will have to figure out how to convey those feelings through dialogue. Direct Observer is a tough […]
Sagas are one of our most enduring story forms. In sagas the voice of a narrator takes us back into a heroic time of grand deeds, power struggles, and families pitted against one another. Sagas are about survival. Something is a stake. That’s why sagas make terrific templates for new writers. Here you sit in […]
Writing notebooks from other creative people can inspire us to keep track of our own creative thoughts. On the tab called Writing Notebooks, I lay out the general idea of keeping a writing notebook, but I want to go into a little more detail here. That’s because it’s so important for writers at any stage […]
Writing notebooks are an integral part of a writer’s daily practice. If you keep a writing notebook, you’ll have an infinite source of fresh material to generate stories or to help you recall details of a place you visited. Here’s a visual example of how I use my notebooks. I had scheduled a writing getaway […]
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